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-Sam Winder
This is my first oil painting ever. It is a very impressive piece, but I didn't do without help. I worked with my friend Shari Griffiths
(http://www.sharigriffithsart.com/). Check out her website, she's great! We worked together and she helped me every step on the way. I have done many other oil paintings after this one that weren't very good. I always look at this one it reminds me of what I am capable of.
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This is a portrait of a guy named Mike. Mike wanted to pose nude, but I don't know if I am mature enough to handle that yet. I did this piece with Mitch Baird one night in his studio. His portrait of Mike turned out a lot better obviously because he is a professional. I am still happy with this piece because I blocked out the shapes and created form. I think I am seeing the planes of the face.
I was struggling with mixing warm and cool colors, and I still struggle with it. Learning how to mix colors correctly can be a lifelong pursuit. After this portrait I learned that the difference between cool and warm colors when doing a portrait is based off of the light source and shadows. For example, under a bright yellow light the skin tones will be warm, while under natural light or florescent light the skin tones are usually cool. To create warm flesh tones I would use cadmium red when mixing with white and yellow ochre. To create cool flesh tones I would use alizarin crimson because it has a little bit of blue in it.
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This is one of the pieces I did in high school. I think it is pretty good, but the flesh tones seem to be off in the arms. There are things in this piece that I could have improved on a lot. This piece is done in acrylic and oil. I can put oil over acrylic and not vice versa. The cloths and guitar are acrylic while everything else is done in oils. The more I work with oils I have learned to first block out and then add detail. I did not do this in this piece and it still turned out okay. It could be a lot better, but it is only my second time working in oils ever.
-Sam Winder
This piece receive some awards and honorable mentions at shows. I don't know what I won, and don't really care. The only thing I remember is that I received the department award for art at honors night when I graduated. It is nice to know others like my work, but right now this piece is just sitting in my closet gathering dust.
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This is my french easel set up in the Columbia River Gorge in Oregon. I am still learning how to be effective
en plein air painting (french for in the open air). It was a beautiful day in late early August. It started off cloudy and then the sun came out. This changed the lighting of the scene I was painting which made it difficult to mix the colors. It didn't rain, but it wouldn't have mattered if it did, because the water wouldn't effect the oils.
I enjoyed doing this project and getting some fresh air, this is what painting is all about. At the same time I don't like doing landscapes very much and am working hard to improve my landscape skills. Anything I paint will make me a better artist, because it is essentially about seeing. When I paint landscapes it will help me when I do my portraits or cartoons. Truely, Sam Winder.